Other branch, and the footer

A — The signpost

Reads like a road sign, because that is the decision being made: you are nearer one shutter than the other. Town large, direction implied, number attached.

B — Both branches, side by side

Stops hiding the choice. Shows where you are and where the other one is, so a reader near Pudukadai self-selects instead of ringing 25 km away.

C — The quiet handoff

Almost nothing: one line, no heading. It is a footnote, not a section — which may be exactly right for a block that appears on every page.

D — The pin band

A tinted band with the town as the hero. Enough weight to be noticed while scrolling past, not enough to compete with the page CTA.

E — The postcard

A bordered card with the branch set out like an entry in a directory — name, hours, number, link. The most informative, the heaviest.

A — The nameplate

The business name in the heading face as the anchor, address beneath, links reduced to a quiet row. Reads as a signature.

B — Three columns

Branches · pages · hours. The conventional workshop footer, and the easiest to scan on a laptop.

C — Two branch cards

Both shutters as equal cards with their own numbers — the footer becomes the place the sister branch is genuinely findable.

D — The hairline

One rule, small-caps links inline, address on a single line. Maximum restraint; the page ends rather than stops.

E — Contact-first

Echoes the diagnosis page: the number set large, then address, then links. The footer as one last chance to dial.